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meant to

illustrate

the fault

of which

it speaks.

It does so

by the use

of a

construction

very

common in

German,

but

happily

unknown in

English;

where,

however,

the fault

itself

exists

none the

less,

though in

different

form. But

this style

of writing

becomes

the height

of

absurdity

when the

paren-

thesis are

not even

fitted

into the

frame of

the

sentence,

but wedged

in so as

directly

to shatter

it. If,

for

instance,

it is an

impertinent